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Search resuls for: "Fran Lebowitz"


5 mentions found


At a party on Thursday night in an East Village bar, Jane Ashe, 71, paired denim pants with a white collared shirt and a blazer. “It’s one party I knew what to wear,” Ms. Ashe said. Heather Frankel, 51, followed a similar formula, but added sunglasses and a top she bought from a thrift store specifically for the event. They were among the more than 60 people at the Holiday Cocktail Lounge for FranCon, a free event where people dress up in an outfit (denim pants, a blazer and a button-up shirt) that has become synonymous with the writer and humorist Fran Lebowitz. “If you’re a good New Yorker or if you’re a working New Yorker, you have a button-up shirt, you have a blazer, and you have a pair of jeans,” said Jane August, 25, who created FranCon after reading “The Fran Lebowitz Reader” for a book club in 2021.
Persons: Jane Ashe, Ms, Ashe, Heather Frankel, Fran Lebowitz, , Jane August Organizations: Yorker Locations: East
SUN HOUSE, by David James DuncanAt least give David James Duncan credit for an eclectic and well-nourished sensibility: Not every writer would quote Walt Whitman and Fran Lebowitz in consecutive sentences. His ambitious new novel, “Sun House,” takes its title from an imagined nomadic tribe’s name for Earth, but Duncan is surely alluding to the real-life Delta bluesman Son House, whom one of the characters recalls seeing in performance. In this multiperspective epic about an “unintentional menagerie” of seekers and strivers in a Montana valley, Duncan name-checks John Cheever and Frank Zappa, Anne Carson and Glenda Jackson, Teilhard de Chardin and Jabba the Hutt, as well as Eastern and Western mystics from Gandhi to Catherine of Siena. Gary Snyder makes a cameo appearance, we hear Willie Nelson and Emmylou Harris sing a song of Duncan’s invention, and a Border collie named Romeo plays the fool — literally — in a production of “King Lear.”A similar high-low range of reference once enriched the wry and witty fictions of Donald Barthelme, but Duncan is bereft of Barthelme’s worldly sense of irony — for him, no bereavement at all. In a chapter titled “On Irony (Yeah, Right),” one character ventriloquizes what seems to be Duncan’s own aesthetic credo: “My bottom line in art, as in life, is to serve that irony-proof idiot the human heart.”In “Sun House,” idiocy is theodicy, holy foolery transcends the “thinky” intellect, and “dumbsaint notebook” entries, scrawled by a student of Sanskrit, muse on “Unseen Unborn Guileless Perfection” and “a nothingness out of which compassion, empathy & generosity flow & flow.” Such “mind-stopping paradoxes” are Buddhism 101, but if given enough of them — and we’re given far more than enough of them — an agnostic might convert to heartless rationalism out of sheer annoyance.
Persons: David James Duncan, Walt Whitman, Fran Lebowitz, , Duncan, John Cheever, Frank Zappa, Anne Carson, Glenda Jackson, Teilhard de Chardin, Jabba, Gandhi, Catherine of Siena, Gary Snyder, Willie Nelson, Emmylou Harris, Romeo, “ King Lear, Donald Barthelme Organizations: SUN Locations: Montana
E. Jean Carroll is a writer and a former columnist for Elle magazine who doled out sex, career and other advice for more than 20 years. The author, 79, grew up as Betty Jean Carroll in Indiana. She attended Indiana University, where she was crowned Miss Indiana University in 1963. Ms. Carroll had long thought of herself as a writer; she once told USA Today that she sent pitches to magazines when she was 12 years old. Ms. Carroll also wrote for Rolling Stone and Playboy, where she was the first female contributing editor.
Scrolling through a list of cultural influences on her phone in the bar of a New York hotel, Ware debated what to include. 1Photo BoothsI’m constantly trying to make my phone take pictures that look old and romantic, and the photo booth just does that. What I’ve just started doing is taking selfies of myself, but pretending that I’m being caught off guard so that I can get really good photos with my children. 2‘The Real Housewives of Beverly Hills’It’s dirty and naughty and I probably should be doing something else, but I’m there, invested in the Kathy and Kyle drama. It’s so good for being able to work out your route for the day, like, I’m going to go to this coffee shop, then I’m going to go to the famous cemetery in Buenos Aires, and then I’m going to walk from there.
If “Mean Streets,” “Taxi Driver,” “Raging Bull” and “Goodfellas” had never existed, Martin Scorsese would still occupy an exalted place in American cinema, strictly for his documentaries. His films on The Band, George Harrison, Bob Dylan, New York City, Italian opera and Fran Lebowitz constitute a singular catalog of movies, all of which are purely entertaining while exploring the complicated space where public image, art and personal history co-exist. Mr. Scorsese’s evident interests as a nonfiction filmmaker come together in “Personality Crisis: One Night Only,” his study of a less-than-obvious subject— David Johansen , onetime New York Doll and proto-punk rocker, who for several decades has also performed as Buster Poindexter , pompadoured lounge lizard and crooner of standards, novelty songs and the work of David Johansen. This is how Mr. Scorsese, credited as co-director with David Tedeschi , frames this portrait of a New York institution: during an early 2020 gig at the upscale Café Carlyle (which Mr. Poindexter refers to as a “boîte” and a “joint”), where the alter ego performs the work of the original.
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